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Black Christmas

One part frosty Christmas atmosphere, one part stalk ‘n’ slash magnificence, and all parts awesome, BLACK CHRISTMAS is a timeless, terrifying, and demented holiday tradition. When sorority sisters Olivia Hussey (ROMEO & JULIET), Margot Kidder (SUPERMAN) and Andrea Martin (SCTV) are under attack from a vicious potty-mouthed killer, it’s up to police chief John Saxon to even the odds. But what about Keir Dullea (2001: A SPACE ODYSSEY), the brooding art-school pianist? Could he have something to do with the Christmas rampage? Years before he crafted the ultimate comedic yuletime experience A CHRISTMAS STORY, genre pioneer Bob Clark gave us one of the most influential Hitchcockian slashers of all time. BLACK CHRISTMAS gets everything right.

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“Made at a time when there were as yet no fixed rules for the slasher subgenre, here anything goes, and the survival of neither virgin nor even final girl comes guaranteed.” – Anton Bitel, Little White Lies

“Black Christmas is one of the best in the endless cycle of slasher flicks, largely because it arrived before the genre got set within its tired and overly familiar parameters.” – Matt Brunson, Film Frenzy

“There’s no doubting that Black Christmas had all the advantages of being first of its kind. The film stands as the mother of the modern slasher. It was able to make its own rules, and subsequently created a template for the films that came after.” – Jourdain Searles, Thrillist

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